She leads a clandestine existence, on the move and under 24-hour guard as France’s most protected woman. Yet Zineb El Rhazoui, the Charlie Hebdo journalist who happened to be in Casablanca on January 7 last year, the day terrorists “avenging the Prophet” massacred nine people at the satirical magazine in Paris, believes she has a duty to defy Islamists desperate to silence her.

Shaken but undeterred by the fatwas and relentless, precise death threats issued via social media to “kill the bitch” since she helped produce the publication’s first survivors’ issue following the attack — and spoke about it in Arabic for the Arab press — the Moroccan-French writer refuses to assume an anonymous identity. Fleeing Paris or abandoning her human rights activism, and her unforgiving critiques of the religion she grew up with, are also out of the question.

“I don’t have the right to renounce my struggle, or to give up my freedom,” says the reporter and sociologist of religion in an interview with Women in the World, during a recent trip to New York, as part of French president Francois Hollande’s delegation when he received the Appeal of Conscience Foundation’s World Statesman Award for 2016. “If the French state protects me it is not little individual me: What is being protected is my freedom to be irreverent, and freedom of expression, so I should exercise this even more because I enjoy this protection.”

“It’s totally crazy. I have done nothing against the law and have nothing to hide, yet I live with security while those who threaten us are free,” El Rhazoui declares with an air of shock and anger that underscores the arbitrariness and brutality visited on a 34-year-old woman condemned to living on the run and mostly in the shadows. “And if you call them by their names you are Islamophobic and racist. I am racist? I can teach them a few things about Arab culture. I can show them how to discover its richness and the diversity of their culture. I believe this culture deserves universality because you can be Arab, Muslim and a free thinker.”

Resisting terror

Sweeping in to the offices of Women in the World in Manhattan, accompanied by bodyguards, the world-renowned journalist is living proof of her pledge to keep “living her life beyond its limits” as a key way of resisting terror. Elegant and beautiful, with her long, wavy hair flowing freely and in an impeccably tailored black dress, El Rhazoui is reminiscent of 1940s cinema’s cerebral heroines — her eloquence and composure only occasionally betraying the trauma of the past 20 months. Each time we speak about the aftermath of the massacre at her magazine and how she is coping personally her voice quavers, but when the subject comes back to her fight for reform in Islamic civilization she is fearless.

In this spirit, El Rhazoui, obliged to spend most of her time in hiding, like Salman Rushdie after his 1989 publication of The Satanic Verses, has taken the high-risk option of publishing an explosive new book about Islam.

Detruire Le Fascisme Islamique (Destroy Islamic Fascism), being released in France this week, takes the battle of ideas directly to the ideologically-driven zealots who inspired the assassins of her dear friend Charb (Stephane Charbonnier), late editor of Charlie Hebdo who preferred “to die standing than to live on my knees.”

Obtained exclusively by Women in the World, the book dedicated to “Muslim atheists” is an unapologetic strike against the strict application of Islam by imitating the first Salafists or “pious ancestors.” The Prophet Mohammed and his companions, whose violent exploits are contained in “bellicose texts from a barbaric 7th-century Bedouin tribal context,” exhibited codes of behavior El Rhazoui insists have no place in the modern world and can be directly connected to terrorism. “The most abject crimes of Islamic State are but a 21st-century remake of what the first Muslims accomplished under the guidance of the Prophet,” she writes, noting that sexual and domestic slavery, the massacre of non-Muslims (notably Jews), pedophilia, pillage, polygamy and summary executions were all adopted from pre-Islamic societies. The book is also the journalist’s way of carrying on the legacy of her dead comrades, who reveled in their right to mock established religion and fanatics everywhere — with Islam no exception to their traditional French anti-clerical ridicule — through satire and caricature.

More here. Special thanks to Jussi K. Niemelä for the H/T